The brainchild of Jeff Kovel from Skylab Architecture, Hoke House is 4300 square meters of contemporary beauty. Floor to ceiling windows and bold cantilevering only accentuate the absolutely stunning use of timber.
Peruvian beauty Saturnina (Magaly Solier) is devastated by the loss of her fiancé and seeks revenge against the resident Western communities in the mines and visiting doctors. The ripple effect of these events reaches Belgium, where traumatised photojournalist, Grace (Jasmin Tabatabai), is crippled by her own loss, before finding the courage to reconnect with the world.
Altiplano's narrative is really only half the story in what is a profound cinematic and cultural experience. Husband and wife team Peter Brosens and Jessica Woodworth bring us their second feature together after the 2006 award-winning Khadak. As they did in Mongolia, the pair brings their documentary and anthropological sensibilities to Andean communities, capturing indigenous rituals that are all-too-quickly fading away. Their remarkable gift is an ability to infuse the real with the spiritual, and to portray their story through beautiful, cinematic tableaux.
Solier's stunning face seems to be an inspiration for many of the images. The film revolves around her passionate performance, which is perhaps symbolic of the Peruvian people. "Without an image, there is no story," Saturnina declares in her climactic scene. On the other hand, Grace and her eye-doctor husband Max (Olivier Gourmet) create windows into this world for the Western audience. "You should read more history, Max," one of his colleagues wryly comments.
Altiplano is a magnificent warning that we, the audience, should inform ourselves. From Francisco Gozon's glorious cinematography to Michel Schöpping provocative score and haunting, operatic soundtrack, Brosens and Woodworth succeed in communicating that grief and acceptance -- both secular and spiritual -- are not unique to the thin air of the high planes, but rather unite people around the world.
Published on Rotten Tomatoes
